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Naum Slutzky Jewelry at the Bauhaus - Ganoksin Jewelry ...

    https://www.ganoksin.com/article/naum-slutzky-jewelry-bauhaus/
    Naum Slutzky, Ring, 1931-32. Folk art’s pure and direct use of basic forms and decorative motifs was a way of avoiding historical styles and the arbitrariness of personal taste. Although he was intrigued with the idea of making production jewelry Slutzky never had the business sense to coordinate the effort, and thus all his work was one-of-a ...

Naum Slutzky Jewellery - Contemporary Jewellery

    https://www.modernvintagestyle.co.uk/blog-section/Naum-Slutzky-Jewellery
    May 09, 2018 · Naum Slutzky Jewellery Naum Slutzky was born in 1894 in Kiev, Russia to goldsmith Gilel Slutzky. He trained in Vienna under the jeweller Anton Dumant before working for a short period at the Weiner Werkstatte in 1912. After studying engineering, Slutzky was invited by Walter Gropius to join the Bauhaus school at its inception.

Naum Slutzky Modern jewellery design, Architectural ...

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    Jan 30, 2017 - This Pin was discovered by yihui qian. Discover (and save!) your own Pins on Pinterest

Necklace Slutzky, Naum V&A Explore The Collections

    http://collections.vam.ac.uk/item/O122603/necklace-slutzky-naum/
    Naum Slutzky, born in Kiev in 1894, the son of the goldsmith Gilel Slutzky, emigrated to Vienna in 1905 where he first trained as a jeweller under Anton Diamant. From 1908 to 1912, he was a student of goldsmithing under Cheine Litweie.Categories: JewelleryMetalwork

Naum Slutzky Jewelry at the Bauhaus - Ganoksin Jewelry…

    https://www.pinterest.com/pin/356839970477146523/
    Jun 29, 2019 - From 1919-23 the Bauhaus also had a jewelry workshop run as a private enterprise by Naum Slutzky. Know more about Nuam Slutzky's works.

Necklace Slutzky V&A Explore The Collections

    https://collections.vam.ac.uk/item/O73634/necklace-slutzky-naum/
    Jewellery by the Bauhaus industrial designer Naum Slutzky reflects this age of machine technology and the new Modernist movement. Staggering inflation in Germany forced goldsmiths to turn to base metals. At the Bauhaus, meanwhile, the emphasis was on design and work processes rather than the value of the materials.

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