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Sumerian Jewelry Antique Jewelry University

    https://www.langantiques.com/university/sumerian-jewelry/
    Sumerian Jewelry Called the ‘cradle of civilisation’ by some, the ancient lands of Mesopotamia have certainly been the cradle of fine workmanship when it comes to jewelry. South west Asia and what is now called the Arabian Peninsula had seen widespread trade even before 5000BC which is evident from the presence of obsidian beads and seashells in jewelry found in modern day Iraq dating that far back.

Jewelry from The Royal Tombs of Ur - Sumerian Shakespeare

    http://sumerianshakespeare.com/117701/118101.html
    Sumerian necklace. It wasn't found in the Royal Tombs, but it's typical of Sumerian jewelry of this period. It has swirl patterns similar to the necklace at the top of the page. Babylonian necklace. It was made 1,000 years after the Royal Tombs of Ur. Note how the swirl patterns and the shape of the gold beads continue the Sumerian tradition of jewelry.

Mesopotamian Jewelry - Development of Jewelry in Mesopotamia

    http://www.historyofjewelry.net/jewelry-history/mesopotamian-jewelry/
    Development of Jewelry in Mesopotamia. Mesopotamia, so called "birthplace of human civilization", was one of the first places on earth where rise of the technology, religion, science and knowledge enabled our race to exit prehistoric times and enter into modern era. With the spreading of technology and rise of nobility and royalty, human need to express themselves and showcase status, power and …

Ancient Sumerian Bead Jewelry - Ancient Resource

    http://www.ancientresource.com/lots/sumerian-mesopotamain-babylonian/ancient-mesopotamian-jewelry.html
    c. 3,000 - 2,000 BC. Sumerians valued jewelry as a sign of status and wealth. Each bead was carved with great care, and drilled through with pinpoint accuracy, a stunning achievement given the technology available at the time. Ancient Sumeria, c. 3000-2000 BC.

Sumerian jewelry Etsy

    https://www.etsy.com/market/sumerian_jewelry
    Inanna Charm Bracelet, Ishtar, Sumerian Goddess, Mythology Jewelry, Mesopotamia, Goddess Bracelet, Queen of Heaven, Divine Feminine, Pagan HecatesBoutique 5 out of 5 stars (1,426) $ 22.50. Add to Favorites Lilith, Ishtar, Inanna, Wood carved Astaroth statue Pagan paganism God Altar sculpture, Feminine Wisdom, Wicca ...

Jewelry - The history of jewelry design Britannica

    https://www.britannica.com/art/jewelry/The-history-of-jewelry-design
    As this description suggests, Sumerian jewelry forms represent almost every kind developed during the course of history. Nearly all technical processes also were known: welding, alloys, filigree, stonecutting, and even enameling. Sources of inspiration, aside from geometry (disks, circles, cylinders, spheres), were the animal and vegetable world, and expressive forms were based on an essential realism …

Images of Sumerian life

    http://sumerianshakespeare.com/106901.html
    A carved stone cylinder was rolled across a wet clay tablet to form an official, individualized seal. This one shows the winged goddess Inanna standing above the sun god Utu as he rises, using a saw to cut his way through the mountains. To her left is an unidentified hunter/warrior god.

Ancient Brick Collection Digital Collections at the ...

    https://digital.library.illinois.edu/items/a3594e00-0d92-0135-23f6-0050569601ca-f
    Facts about the Sumerians are rare, but it is thought that the Sumerian people invented the cuneiform (wedge-shaped or arrow-headed) system of writing around 2600-2400 B.C. Cuneiform was used most extensively in the ancient Middle East. It was borrowed and adapted by the Elamites, Hitties, Hurians, Kassites, Mitanni, and the Persians.

Antoinette Burton The University of Illinois, Urbana-Champaign

    https://history.illinois.edu/sites/default/files/cv/Burton%20cv%20web%202021%20_2.pdf
    Archive Stories: Facts, Fictions and the Writing of History (Duke, 2005) with Ania Loomba, Suvir Kaul, Matti Bunzl and Jed Esty, eds., Postcolonialism and Beyond (Duke/Permanent Black [Delhi] 2005) with Tony Ballantyne, Bodies in Contact: Rethinking Colonial Encounters in …

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